Finally, the two internal morphs—from referential to non-referential harmonies and back—can be understood as motion within two larger derived core septachords—numbers 36 and 6, that is, as a kind of arpeggiation. This multi-layered functionality is particularly attractive, as it allows for harmonic change and voice leading to function differently on different time scales. The C 4 in hexachord 9, for example, played by the second violin, can be heard on one level as a quasi-dissonance; it produces a non-core hexachord as it anticipates derived core pentachord On a slightly larger time scale, the same move can be heard as an arpeggiation within the larger derived core septachord.
The approach presented here has broad analytical applications and complements other work in the field. Bernard, Jonathan. Boland, Marguerite. Capuzzo, Guy. University of Rochester Press. Carter, Elliott. University of Oklahoma Press. Reprinted in Carter — and Carter — Writings of Elliott Carter , ed. Else Stone and Kurt Stone. Indiana University Press.
Elliott Carter: Collected Essays and Lectures, — , ed. Jonathan W.
Nicholas Hopkins and John F. Link, 27— Carl Fischer. Childs, Adrian. Emmery, Laura. Harvey, David. Garland, Heinemann, Stephen.
Marguerite Boland and John Link, — Cambridge University Press. Jenkins, J. Koivisto, Tiina. Mailman, Joshua B. Mead, Andrew W. Meyer, Felix. Edition Argus. Translated by J. Noubel, Max. Roeder, John. Klouche and T. Noll, — Communications in Computer and Information Science Schiff, David.
The Music of Elliott Carter. Cornell University Press. Return to text. See, for instance, pages 27— For a different reading, see Meyer For an analytical essay on this piece see Noubel Ives , see Roeder The ATH is not symmetrical, and it contains two instances of ic2.
Elliott Carter: Collected Essays and Lectures, - Elliott Carter - Google книги
Thus there are four forms that contain the pc dyad . They are t0 , t2 [t], t4i , and t6i [te]. Problem URL. Describe the connection issue. SearchWorks Catalog Stanford Libraries. Elliott Carter : collected essays and lectures, Responsibility edited by Jonathan W. Uniform Title Literary works. Selections Imprint Rochester, N. Physical description xx, p. Series Eastman studies in music Online Available online. Full view. Carvin, Andy.
Dufallo, Richard. Duffie, Bruce. Edwards, Allen. New York: Norton, Entretiens avec Elliott Carter. Geneva: Contrechamps Editions, Gagne, Cole, and Tracy Caras. Metuchen, NJ: Scarecrow Press, Lesh, Phil.
Meyer, Felix. Oteri, Frank J. Pozzi, Raffaele. Restagno, Enzo. Katherine Silberblatt.
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ISAM Monographs, no. Rochester: University of Rochester Press, Doering, William T. Elliott Carter: A Bio-Bibliography. Bio-bibliographies in Music, no. Westport, CT: Greenwood, Eisenlohr, Henning. Kassel: Gustav Bosse, Elliott Carter: A Centennial Celebration.
Elliott Carter: Collected Essays and Lectures, 1937-1995;
Marc Ponthus and Susan Tang. Hillsdale, NY: Pendragon Press, Elliott Carter Studies. Marguerite Boland and John Link. Cambridge University Press, Harvey, David I. The Later Music of Elliott Carter. New York: Garland Publishing, Inc. Max Noubel.
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